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标题:
文艺复兴研究的十位Enfant Terrible
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作者:
王敖
时间:
2007-8-4 13:44
标题:
文艺复兴研究的十位Enfant Terrible
<span id="showcontent">KAREN BRITLAND (33, Keele University) for feminist and archival work on<br/>the drama of the 1630s<br/>---\'"All emulation cease, and jars": political possibilities in<br/>_Chloridia_, Queen Henrietta Maria\'s masque of 1631\', _The Ben Jonson<br/>Journal_ 9 (2002),87-108<br/>---\'An under-stated mother-in-law: Marie de Médicis and the last<br/>Caroline court masque\', _Women and Culture in the Courts of the Stuart<br/>Queens_, ed. Clare McManus (Palgrave: 2003), 204-23<br/><br/>LUKAS ERNE (36, University of Neuchatel, Switzerland) for work on<br/>Shakespeare as a "literary dramatist"<br/>---\'Shakespeare and the 
ublication of His 
lays\', in his _Shakespeare<br/>as Literary Dramatist_ (Cambridge UP, 2003), 78-100<br/>---\'_Don Horatio_ and _The First 
art of Hieronimo_, in his_Beyond *The<br/>Spanish Tragedy*: A Study of the Works of Thomas Kyd_ (Manchester UP,<br/>2001), 14-46<br/><br/>EWAN FERNIE (33, Royal Holloway University of London) for work on<br/>"presentist" criticism and the power of Shakespeare now<br/>---"Introduction," _Shame in Shakespeare_(Routledge, 2002), 1-23<br/>---"Shakespeare and the Prospect of Presentism", forthcoming in<br/>_Shakespeare Survey_58 (2005)<br/><br/>CARLA MAZZIO (38, University of Chicago) for work on quantification,<br/>sensation and affect in drama<br/>---"The Three Dimensional Self: Geometry, Melancholy, Drama," in _Arts<br/>of Calculation: Numerical Thought in Early Modern Europe_, ed. David<br/>Glimp and Michelle R. Warren (Palgrave, 2004), 39-65<br/>---"Acting with Tact: Touch and Theater in the English Renaissance," in<br/>_Sensible Flesh: On Touch in Early Modern Culture_, ed. Elizabeth Harvey<br/>(University of Pennsylvania, 2003), 159-186<br/><br/>BRYAN REYNOLDS (39, University of California, Irvine) for work on<br/>"transversal poetics"<br/>---"State Power, Cultural Dissidence, Transversal Power," in his book<br/>_Becoming Criminal: Transversal Performance and Cultural Dissidence in<br/>Early Modern England_ (Johns Hopkins University Press, 2002).<br/>---"Transversal Performance: Shakespace, the September 11 Attacks, and<br/>the Critical Future," in his book _Performing Transversally: Reimagining<br/>Shakespeare and the Critical Future_ (Palgrave, 2003).<br/><br/>TIFFANY STERN (36, Oxford Brookes University) for archival and<br/>theoretical work on early performance<br/>---"A small-beer health to his second day": Playwrights, Prologues, and<br/>first Performances in the Early Modern Theater," _Studies in Philology_<br/>(2004), 172-199<br/>---\'Prologues, Songs, and Actors\' Parts\' in her book _Making<br/>Shakespeare_ (Routledge, 2004), 113-36</span>
作者:
王敖
时间:
2007-8-4 13:44
这是几年前该领域的权威投票评出的,现在看来,风头最劲的是BRYAN REYNOLDS,出身哈佛,师从新历史主义的几位大家,自己提出了一套理论,而且写书的方式与众不同,近期的书都是找一帮人跟他合写,每人跟他合作一篇文章,结果变成雷诺兹和大家一起著。
作者:
曾园
时间:
2007-8-4 13:44
<p>这份名单不错。可作以后买书的参考。</p><p>说到哈佛,最近北大毕业的一个女生拿到了那里的比较文学全额奖学金。</p>
作者:
王敖
时间:
2007-8-4 13:44
是北大英语系的吗,我有中文系师弟也拿到了好几份全奖。
作者:
曾园
时间:
2007-8-4 13:44
<p>哦是的,英语系的。</p><p>师弟拿的也是全奖?博士研究生?那对北大倒真要刮目相看了。</p>
作者:
王敖
时间:
2007-8-4 13:44
<p>当然是啊。北大中文系的比较所,一直是名校的专业户,送出去的人很多,已经持续了大概有十几年了吧。这还有什么奇怪的吗?</p><p></p>
作者:
王敖
时间:
2007-8-4 13:44
英语系的情况我不清楚,但中文系的比较所,一般每年都有人拿到名校的全奖,这种情况持续了有至少十几年了,前几年尤其是哈佛要得多。
作者:
曾园
时间:
2007-8-4 13:44
<p>以前没有留意到这些。这可是北大的硬指标啊。我与比较所的车教授有过来往,他翻译鲍德里亚的一本书曾花了三年。以前我还不明白为什么这么慢——看来教书在北大的确不像在别处那么容易吧。</p>
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