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<span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: \'Times New Roman\'; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: \'Times New Roman\'; mso-bidi-font-family: \'Times New Roman\'; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;">【文丛评论】顾耀峰:自由地独立于小说</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;"><br/><br/></span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;"> ——评柴柴小说集《睡莲症》</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;"><br/><br/></span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;"> </span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;">1987</span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;">年出生的柴柴(张捷)有可能是</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;">21</span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;">世纪中国第一位成为“神话”的小说作者。可以毫不夸张地说,如果将柴柴对小说理解的高度、对小说把握的才能放到历史层面,在这个年纪与她相提并论的也许是这些名字:拜伦、雪莱、兰波……有一个词在当下已经被用得泛滥了:少年天才。因此用这个词,在当下,甚至有些侮辱她的才华和实际才能。</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;"><br/></span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;"> 小说,这个文学体裁发展至今,毫无疑问,它已经不再是盛载道德、描摹理想、反映现实、技术拼接的工具。小说越来越逼近于使之成立的最初元素:语言。倘若我们简单而通俗地把小说比喻成一座房子,那语言就是其中的砖瓦。砖瓦的实用性与小说语言表达上的准确性相仿;砖瓦本身的纹理与小说语言色彩相仿;砖瓦的构建与小说语言的整合相仿。柴柴的小说语言,正以一种貌似“不准确”的“准确”,以绕开中心纠缠外围进而凸显主旨的方式,最大程度地呈现了表达上的“准确”。而在这过程中,她的语言恰如一丛有自己生命力的丛林,自由而有序地繁衍、生长,带给作品一种全新的五彩缤纷——然而其中暗含秩序。这样一来,柴柴小说的语言本身也获得了生命。因而,即便脱离了小说本身,她的语言也有足够的力量得到成立——尽管它们从未脱离过。在这个意义上,柴柴的小说,无疑正是对当下小说本体的一种无意识、但却极为有效的革新。</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;"><br/></span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;"> 柴柴的小说集《睡莲症》,正是这样一种景象的集中体现。你无法预先感知那些出彩的意象从何而来、去向哪里,也难以想像,那些司空见惯的日常事物,在她的笔下怎么就充满了奇怪而自由的光晕。但是有一点不能忽视:这些意象和光晕,在她的小说里又都显得那么自然,丝毫没有吃力、做作的痕迹。在当代,喜欢“奇异”、喜欢“出奇”的小说作者大有人在,而那种使边缘化的词汇、感觉自然呈现,从而使它们自然、自由地独立于小说本体,柴柴是做得最好的一个。</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;"><br/></span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;"> 可能柴柴先天具备了这样一种不为人知、甚至自己也并未自知的能力:她无视传统意义上的“叙事”,却又能把“叙事”的效果完好呈现。说她无视,并不是说没有想过要尝试,只是,从这本书的诸多作品里可以看出,传统意义上的“叙事”,对她是无效的。往往在写的过程中,她起先是想老实走在传统叙述的道路上,但随即又呼啦呼啦转换了方向,呈现了自己的天赋。这样说也许会有一个错觉:小说有几种互不相合的语境存在。事实上却不,在整体效果上,最初的那些尝试,也被自然而贴切地溶进了她的那套方式中,就好像一个功能强大的胃,把属于她的、不属于她的东西,一起消化。</span><span lang="EN-US" style="FONT-SIZE: 10.5pt; FONT-FAMILY: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA; mso-fareast-font-family: 宋体;"><br/></span><span style="FONT-SIZE: 10.5pt; FONT-FAMILY: 宋体; mso-ascii-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-hansi-font-family: "Times New Roman"; mso-bidi-font-family: "Times New Roman"; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: ZH-CN; mso-bidi-language: AR-SA;"> 要是我们把天赋、才华当作一个不带任何感情色彩的词汇使用,那人人都拥有天赋、才华。但这样的“客观”放在柴柴身上是不合适的。她拥有着与众不同的、亮丽的(我以为这个词用在这里是合适的)天赋和才华。如果我们心存善心的话,就唯独要希望:柴柴能把这天赋和才华燃烧得再持久一点、再绚烂一点。</span> |
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