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试译贝克特《无词的戏 I、II 》

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新手上路

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发表于 2007-8-4 13:33:18 |只看该作者 |倒序浏览

>无词的戏 I 单人哑剧 沙漠。光线耀眼。 男人从舞台右侧被倒抛到台上。他摔倒在地，立刻爬起，掸掸灰尘，转身面向一旁，沉思。 右侧传来口哨声。 他沉思，从右侧下。 立刻被抛回台上摔倒在地，立刻爬起，掸掸灰尘，转身面向一旁，沉思。 左侧传来口哨声。 他沉思，从左侧下。 立刻被抛回台上摔倒在地，立刻爬起，掸掸灰尘，转身面向一旁，沉思。 一棵小树从顶棚降下，着地。高约三码处分出一支孤零零的大树枝，顶端长有一丛贫瘠的棕榈叶，在树下落下一圈阴影。 他继续沉思。 上方传来口哨声。 他回头看见树，沉思，走过去，坐在树荫下，瞧着自己的手。一把裁衣剪从顶棚降下，停在树前，离地一码。他继续瞧着自己的手。 上方传来口哨声。 他抬头，看见剪刀，取在手中，开始修指甲。棕榈叶像一把阳伞似的收起，阴影消失了。他丢下剪刀，沉思。 一只小小的玻璃水瓶从顶棚降下，在离地约三码处停住，贴着一张大标签，上书“水”。 他继续沉思。 上方传来口哨声。 他抬头，看见水瓶，沉思，起身，走到水瓶下方，伸手去够，徒劳无果，放弃，转身面向一旁，沉思。 一个大立方体从顶棚降下，着地。 他继续沉思。 上方传来口哨声。 他回头看见立方体。他瞧瞧立方体，瞧瞧水瓶，沉思，走向立方体，将它抬起，搬到水瓶下方，试试是否稳固，登上立方体，伸手去够水瓶，徒劳无果，放弃，走下来，将立方体搬回原位，转身面向一旁，沉思。 另一个稍小的立方体从顶棚降下，着地。 他继续沉思。 上方传来口哨声。 他回头看见第二个立方体。他瞧瞧立方体，瞧瞧水瓶，走向立方体，将它抬起，搬到水瓶下方，试试是否稳固，登上立方体，伸手去够水瓶，徒劳无果，放弃，走下来，将立方体搬回原位，迟疑，再想一想，放下第二个立方体，转向大立方体，将它抬起搁在小立方体上，试试是否稳固，登上去，立方体翻倒，他摔倒在地，立刻爬起，掸掸灰尘，沉思。 他抬起小立方体，将它搁在大的上，试试是否稳固，登上去，正要够到水瓶时水瓶被拉高了一点，在他够不着的地方停住。 他走下来，沉思，把立方体一个一个地搬回原位，转身面向一旁，沉思。 又一个更小的立方体从顶棚降下，着地。 他继续沉思。 上方传来口哨声。 他回头看见第三个立方体，瞧着它，沉思，转身面向一旁，沉思。 第三个立方体被拉了上去，消失在顶棚处。 一条绳子从顶棚降下，挨着水瓶，绳上打了许多结以便攀爬。 他继续沉思。 上方传来口哨声。 他回头看见绳子，沉思，走过去，顺着绳子往上爬，正要够到水瓶时绳子松了，把他丢回地面。 他沉思，四处找剪刀，看见剪刀，走过去拾起，返身回来，开始用剪刀剪绳子。 绳子被拉起，连带他离开了地面，他悬在空中，继续剪断绳子，摔回到地上，丢下剪刀，立刻爬起，掸掸灰尘，沉思。 绳子被迅速拉了上去，消失在顶棚处。 他用手里这段绳子做成一个套索，试图套取水瓶。 水瓶被迅速拉了上去，消失在顶棚处。 他转身面向一旁，沉思。 他拿着绳子走到树下，瞧瞧大树枝，回头瞧瞧立方体，再瞧瞧树枝，丢下套索，走向立方体，抬起较小的，搬到树枝下，返身回去抬起较大的，搬到树枝下，似乎要把它搁在小的上面，迟疑，再想一想，把它放下，抬起小的搁在大的上，试试是否稳固，回身弯腰去捡套索。 大树枝弯下来，贴在树干上。 他拿着套索直起身子，转过身来看见了这一变化。 他丢下套索，转身面向一旁，沉思。 他把立方体一个一个地搬回原位，回身取了绳子，把绳子整齐地盘成一卷搁在较小的立方体上。 他转身面向一旁，沉思。 右侧传来口哨声。 他沉思，从右侧下。 立刻被抛回台上摔倒在地，立刻爬起，掸掸灰尘，转身面向一旁，沉思。 左侧传来口哨声。 他不动。 他瞧着自己的手，四处找剪刀，看见剪刀，走过去拾起，开始修指甲，停住，沉思，手指抹过剪刀的刀刃，把剪刀放在小立方体上，转身面向一旁，解开衣领，露出脖子，用手指抚弄着。 小立方体被拉了上去，消失在顶棚处，把绳子和剪刀一起带走了。 他转过身来取剪刀，看见了这一变化。 他转身面向一旁，沉思。 他走过去，在大立方体上坐下。 大立方体从他身下被抽了出来。他摔倒在地。大立方体被拉了上去，消失在顶棚处。 他仍然侧躺在地上，面朝观众席，直直地盯着前方。 水瓶从顶棚降下，停在离他几尺远的地方。 他不动弹。 上方传来口哨声。 他不动弹。 水瓶又降低了一些，在他的脸附近来回摇晃。 他不动弹。 水瓶被拉了上去，消失在顶棚处。 那根大树枝恢复到水平状态，棕榈叶张开了，树荫又出现了。 上方传来了口哨声。 他不动弹。 树被拉了上去，消失在顶棚处。 他瞧着自己的手。 ——幕落—— 本剧写于1956年，原作为法语，由作者的表兄约翰·贝克特配乐。于1957年在巴黎首次发表。由作者本人翻译为英文后，于1958年由纽约丛树出版社（Grove Press）首次发表。于1957年4月3日在伦敦皇家剧院首次上演。 根据英文版译为中文，2006年3月22日 ■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■ 无词的戏 II 双人哑剧 注：该剧应在舞台后部一条低而窄的平台上演出，平台从头到尾打强光，舞台其余部分保持黑暗。粗呢效果。 A行动迟缓，笨拙（穿脱衣服时吭哧吭哧的），心不在焉。B动作迅速，敏捷，精确。因此，尽管B的动作多于A，双方表演所持续的时间应该相当。） 提要： 离舞台右翼两码处并排挨放着两只麻袋，一只是A的，一只是B的，A的位于B的右侧（从观众席位置看来），即更靠近右翼。麻袋B旁边搁着一小迭衣服（C），叠的整整齐齐（靴子和帽子压在外套和裤子上）。 尖头棒（注①）从右上，角度绝对水平。其尖头距麻袋A一英尺时停住。停顿。尖头后退，停顿，猛然刺入麻袋, 后退，缩回距麻袋一英尺处。停顿。麻袋不动。尖头再次后退，比前次退得稍远一点，停顿，再次猛然刺入麻袋，后退，缩回距麻袋一英尺处。停顿。麻袋动了。尖头棒下。 A，身穿衬衣，从麻袋里爬出来，停滞片刻，沉思，祈祷，沉思，起身，沉思，从衬衣口袋里取出一小瓶药片，沉思，吞下一片药，把瓶子放回去，沉思，走到衣服跟前，沉思，穿上衣服，沉思，从外套口袋里取出一根吃了大半的胡萝卜，咬下一小片，略嚼，厌恶地吐掉，把胡萝卜放回去，沉思，提起两只麻袋，弓着身子扛着麻袋摇摇晃晃地走向舞台左翼，半途中放下麻袋，沉思，脱掉衣服（除了衬衣），任衣服散乱在地，沉思，再吃一片药，沉思，跪下，祈祷，爬进麻袋里一动不动地躺下，现在麻袋A位于麻袋B左侧。 停顿。 尖头棒架在轮子上（一个轮子）从右上。其尖头距麻袋B一英尺时停住。停顿。尖头后退，停顿，猛然刺入麻袋, 后退，缩回距麻袋一英尺处。停顿。麻袋动了。尖头棒下。 B，身穿衬衣，从麻袋里爬出来，起身，从衬衣口袋里取出一块很大的表瞧了瞧，把表放回去，做操，瞧了瞧一块很大的表，把表放回去，做操，看表，从衬衣口袋里取出一支牙刷并劲头十足地刷牙，把牙刷放回去，劲头十足地摩挲自己的脑壳，从衬衣口袋里取出一把梳子并梳头，把梳子放回去，看表，走到衣服跟前，穿上衣服，看表，从外套口袋里取出一把刷子并劲头十足地刷刷衣服，劲头十足地刷刷头发，把刷子放回去，从外套口袋里取出一面小镜子并检视自己的仪表，把镜子放回去，从外套口袋里取出胡萝卜，咬下一片，嚼了嚼并有滋有味地咽下去，把胡萝卜放回去，看表，从外套口袋里取出一张地图瞧了瞧，把地图放回去，看表，从外套口袋里取出一只指南针瞧了瞧，把指南针放回去，看表，提起两只麻袋并弓着身子摇摇晃晃地扛到距舞台左翼两码处，放下麻袋，看表，脱掉衣服（除了衬衣），把衣服整整齐齐地叠成一小迭，看表，做操，看表，摩挲脑壳，梳头，刷牙，看表并上好发条，爬进麻袋里一动不动地躺下，现在麻袋B又像开始时一样位于麻袋A的左侧了。 停顿。 尖头棒架在轮子上（两个轮子）从右上。其尖头距麻袋A一英尺时停住。停顿。尖头后退，停顿，猛然刺入麻袋, 后退，缩回距麻袋一英尺处。停顿。麻袋不动。尖头再次后退，比前次退得稍远一点，停顿，再次猛然刺入麻袋，后退，缩回距麻袋一英尺处。停顿。麻袋动了。尖头棒下。 A从麻袋里爬出来，停滞片刻，沉思，祈祷。 ——幕落—— 注①：尖头棒：原文goad，一端尖的长木棒，用来驱赶牲畜。 据贝克特所言，本剧与《无词的戏I》写于同一时期，即1956年，并由作者本人从法文译为英文。于1959年夏在《新起点》第一卷首次发表。于1960年1月25日在伦敦当代艺术中心首次公开上演。 根据英文版译为中文，2006年3月24日
 
*感谢驴头狼的指点。

[此贴子已经被作者于2006-3-26 17:54:39编辑过]

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赵松

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论坛游民

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2^#

发表于 2007-8-4 13:33:18 |只看该作者

最好注明一下从哪个文种版本译出来的。

我知道什么呢？ http://zhaosong.blogcn.com/index.shtml

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西团主义

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发表于 2007-8-4 13:33:18 |只看该作者

>是从英文翻译过来的，原文如下：
<

>Act Without Words
<

> 
Desert. Dazzling light.
 
The man is flung backwards on stage from right wing. He falls, gets up immediately, dusts himself, turns aside, reflects.
 
Whistle from right wing.
 
He reflects, goes out right.
 
Immediately flung back on stage he falls, gets up immediately, dusts himself, turns aside, reflects.
 
Whistle from left wing.
 
He reflects, goes out left.
 
Immediately flung back on stage he falls, gets up immediately, dusts himself, turns aside, reflects.
 
A little tree descends from flies, lands. It has a single bough some three yards from ground and at its summit a meagre tuft of palms casting at its foot a circle of shadow.
 
He continues to reflect.
 
Whistle from above.
 
He turns and sees tree, reflects, goes to it, sits down in its shadow, looks at his hands.A pair of tailor\'s scissors descends from flies, comes to rest before tree, a yard from ground. He continues to look at his hands.
 
Whistle from above. 
 
He looks up, sees scissors, takes them and starts to trim his nails. The palms close like a parasol, the shadow disappears. He drops scissors, reflects. 
 
A tiny carafe, to which is attached a huge label inscribed WATER, descends from flies, comes to rest some three yards from ground. 
 
He continues to reflect.
 
Whistle from above. 
 
He looks up, sees carafe, reflects, gets up, goes and stands under it, tries in vain to reach it, renounces, turns aside, reflects.
 
A big cube descends from flies, lands.
 
He continues to reflect. 
 
Whistle from above. 
 
He turns, sees cube, looks at it, at carafe, reflects, goes to cube, takes it up, carries it over and sets it down under carafe, tests its stability, gets up on it, tries in vain to reach carafe, renounces, gets down, carries cube back to its place, turns aside, reflects.
 
A second smaller cube descends from flies, lands.
 
He continues to reflect. 
 
Whistle from above. 
 
He turns, sees second cube, looks at it, at carafe, goes to cube, takes it up, carries it over and sets it down under carafe, tests its stability, gets up on it, tries in vain to reach carafe, renounces, gets down, takes up second cube to carry it back to its place, hesitates, thinks better of it, sets it down, goes to big cube, takes it up, carries it over and puts it on small one, tests their stability, gets up on them, the cubes collapse, he falls, gets up immediately, brushes himself, reflects.
 
He takes up small cube, puts it on big one, tests their stability, gets up on them and is about to reach carafe when it is pulled up a little way and comes to rest beyond his reach.
 
He gets down, reflects, carries cubes back to their place, one by one, turns aside, reflects.
 
A third smaller cube descends from flies, lands.
 
He continues to reflect.
 
Whistle from above.
 
He turns, sees third cube, looks at it, reflects, turns aside, reflects.
 
The third cube is pulled up and disappears in flies.
 
Beside carafe a rope descends from flies, with knots to facilitate ascent.
 
He continues to reflect.
 
Whistle from above.
 
He turns, sees rope, reflects, goes to it, climbs up it and is about to reach carafe when rope is let out and deposits him back on ground.
 
He reflects, looks around for scissors, sees them, goes and picks them up, returns to rope and starts to cut it with scissors.
 
The rope is pulled up, lifts him off ground, he hangs on, succeeds in cutting rope, falls back on ground, drops scissors, gets up again immediately, brushes himself, reflects.
 
The rope is pulled up quickly and disappears in flies.
 
With length of rope in his possession he makes a lasso with which he tries to lasso the carafe.
 
The carafe is pulled up quickly and disappears in flies.
 
He turns aside, reflects.
 
He goes with lasso in his hand to tree, looks at bough, turns and looks at cubes, looks again at bough, drops lasso, goes to cubes, takes up small one, carries it over and sets it down under bough, goes back for big one, takes it up and carries it over under bough, makes to put it on small one, hesitates, thinks better of it, sets it down, takes up small one and puts it on big one, tests their stability, turns aside and stoops to pick up lasso.
 
The bough folds down against the trunk.
 
He straightens up with lasso in his hand, turns and sees what has happened.
 
He drops lasso, turns aside, reflects.
 
He carries back cubes to their place, one by one, goes back for lasso, carries it over to the cubes and lays it in a neat coil on small one.
 
He turns aside, reflects.
 
Whistle from right wing.
 
He reflects, goes out right.
 
Immediately flung back on stage he falls, gets up immediately, brushes himself, turns aside, reflects.
 
Whistle from left wing.
 
He does not move.
 
He looks at his hands, looks round for scissors, sees them, goes and picks them up, starts to trim his nails, stops, reflects, runs his finger along the blade of scissors, goes and lay them on small cube, turns aside, opens his collar, frees his neck and fingers it.
 
The small cube is pulled up and disappears in flies, carrying away rope and scissors.
 
He turns to take scissors, sees what has happened.
 
He turns aside, reflects.
 
He goes and sits down on big cube.
 
The big cube is pulled from under him. he falls. The big cube is pulled up and disappears in flies.
 
He remains lying on his side, his face towards auditorium, staring before him.
 
The carafe descends from flies and comes to rest a few feet from his body.
 
He does not move.
 
Whistle from above.
 
He does not move.
 
The carafe descends further, dangles and plays about his face.
 
He does not move.
 
The carafe is pulled up and disappears in flies.
 
The bough returns to horizontal, the palms open, the shadow returns.
 
Whistle from above.
 
He does not move.
 
The tree is pulled up and disappears in flies.
 
He looks at his hands.
 
 
CURTAIN

[此贴子已经被作者于2006-3-23 19:47:07编辑过]

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驴头狼

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业余侠客

暴雪骑士

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发表于 2007-8-4 13:33:18 |只看该作者

>标题翻无声的戏恐怕不对吧, 副标题是 a mime for one player.
<

>手边刚好有本全集,这个戏的基本情况:
<

>Written in French in 1956, with music by John Beckett, the author\'s cousin. First published in Paris in 1957. Translated by the author and first published in English by Grove Press, New York, in 1958. First Performed at the Royal Court Theatre, London, on 3 April 1957."高约三码处分出一支孤零零的大树枝，顶端长有一丛贫瘠的棕榈叶，"不尽确切.美术该不知道怎么弄这树了.

按理说三道四艳阳天南海北 http://shiker.blogcn.com e caddi come corp morto cade

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西团主义

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发表于 2007-8-4 13:33:18 |只看该作者

>标题我也觉得不妥，或者就译成哑剧？
<

>It has a single bough some three yards from ground and at its summit a meagre tuft of palms casting at its foot a circle of shadow.
<

>棕榈树是不好说“分出一支树枝”，但后面又有The bough returns to horizontal, the palms open, the shadow returns.如果没有树枝，确实不好吊死……

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