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<STRONG><BR></STRONG> Yayoi Kusama(生于1929年,日本)是一位画家、雕塑家和环境艺术家,是战后从亚洲崛起的极富影响的艺术家。她的艺术实践非常广泛:绘画、拼贴画、雕塑、表演、电影、装置、小说、诗歌和音乐。她十岁患病导致幻听幻视。在美期间正值激进主义时期,此后她的艺术停留在激进、商业和反思的层面上。她认为网状结构象征富有生机的生命本质。1966年的充满神秘感的《无限镜屋》的装置作品反映了一种生命力的无限广博以及不可把握性。她对自己的艺术经历描述为:分解和积聚,增值和破碎,是对自己的湮没和对无形宇宙的回想。返日后用多种形式和材料探索无止境的网状结构。她的艺术中所蕴含的独特的感知经验和不可触摸的神秘。<BR><BR> <a href="http://www.yayoi-kusama.jp/e/information/index.html" target="_blank" ><FONT color=#003366>http://www.yayoi-kusama.jp/e/information/index.html</FONT></A><BR><BR><FONT color=#003366><IMG src="http://www.yayoi-kusama.jp/i_comm/i_yayoi/2005yayoi.gif" border=0><BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama8.jpg" border=0><BR></FONT>Yayoi Kusama, Infinity Mirror Room (Phalli\'s Field), 1965,<BR>Sewn stuffed fabric, mirrors,<BR>360 x 360 x 324 cm.<BR>Installation, Floor Show, Castellane Gallery, New York.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama10.jpg" border=0><BR>Yayoi Kusama, Airmail Stickers,<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama9.jpg" border=0><BR>Yayoi Kusama, Ironing Board, 1963,<BR>Sewn stuffed fabric, iron, ironing board, paint,<BR>112 x 142 x 70 cm.<BR>Collection Storm King Art Center, Mountainville, New York.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/suitcase.jpg" border=0><BR>Yayoi Kusama, Let\'s Carry the Flowers, 1998,<BR>Mixed media, 16 1/8 x 24 1/4 x 10 1/4". <BR>&copy; Yayoi Kusama. <BR>Courtesy Robert Miller Gallery.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama11.jpg" border=0><BR>Yayoi Kusama, Aggregation: One Thousand Boats Show (detail), 1963,<BR>Sewn stuffed fabric, wooden rowboat, paint; 999 silkscreen images on paper, boat, 265 x 130 x 60cm.<BR>Installation dimensions variable. <BR>Reconstruction of original installation, Love Forever: Yayoi Kusama 1958-1968, The Museum of Modern Art, New York, 1998. <BR>Collection Stedelijk Museum.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama12.jpg" border=0><BR>Yayoi Kusama, Installation, Between Heaven and Earth, <BR>Fuji Television Gallery, Tokyo,1991,<BR>Foreground, A Boat Carrying My Soul (detail), 1989,<BR>Sewn stuffed fabric, wood 80 x 340 x 160 cm.<BR>Center, Heaven and Earth (detail), 1991,<BR>Sewn stuffed fabric, wood h.130 cm.<BR>Background right, Stamens in the Sun, 1989,<BR>Sewn stuffed fabric, wood, paint 240 x 561 x 19 cm.<BR>Collection, The Museum of Modern Art, Toyama, Japan.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama13.jpg" border=0><BR>Yayoi Kusama, Naked Happening Orgy and Flagburning,<BR>Brooklyn Bridge, New York, 1968.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama14.jpg" border=0><BR>Yayoi Kusama, Mirror Room (Pumpkin), 1991,<BR>Mirrors, wood, papier m&acirc;ché, paint,<BR>200 x 200 x 200 cm.<BR>Collection, Hara Museum, Tokyo.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama15.jpg" border=0><BR>Yayoi Kusama, Homosexual Wedding,<BR>the \'Church of Self-Obliteration,\' 31-33 Walker St. at Church, New York, 1968.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama16.jpg" border=0><BR>Yayoi Kusama, Self-Obliteration by Dots (detail), 1968,<BR> erformance, documented with black-and-white photographs by Hal Reif.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama17.jpg" border=0><BR>Yayoi Kusama, Self-Obliteration by Dots (detail), 1968,<BR> erformance, documented with black-and-white photographs by Hal Reif.<BR><BR><IMG src="http://www.bombsite.com/archive/kusama/portfolio/images/kusama19.jpg" border=0><BR>Yayoi Kusama, Beyond My Illusion - Butterfly (detail), 1999,<BR>Sewn stuffed fabric, found objects, gold paint,<BR>80 x 80 x 20 cm.<BR> |
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