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<p><img height="547" alt="" src="http://kiesler.org/cms/media/img/kiesler_preis/printable%20images/Portrait_Eliasson_print.jpg" width="798"/></p><p></p><p> 奥拉维尔·埃利亚松(Olafur Eliasson)1967年生于丹麦哥本哈根,现在德国柏林居住。 <br/> 1993年,奥拉维尔·埃利亚松创作了装置作品“美丽”。当水通过一个穿满了小孔的水龙头软管时,水向四面八方喷射,在灯光的照射下,观众从一个特定角度可以看到一条美丽的彩虹。在这件早期的装置作品中,埃利亚松的艺术追求和特点已经显露出来。他要用艺术来表现自然现象,并通过技术手法进行再创造,强化它的表现效果。埃利亚松不仅关注自然现象与机器制造的效果之间的差异,更关心他们二者与观众的关系。例如,他用频闪观测仪的灯光照在喷泉上,几秒钟之后,水像失去了引力的作用冻结在空中。然而,埃利亚松并不让自己局限在光学现象中,在1997年创作的“神奇的世界(The Curious Garden)”中,他让一个大而空旷的房子沐浴在黄色灯光中,由于光的波长不同,其他颜色的灯光都不能进入我们的视线。在一个狭窄的门道里,他用树枝搭起一个小棚架,上面盖上蓝色油布。向前走是一间有个树篱的小房间。冷空气从开着的窗户流入,天花板上还装有通风装置。埃利亚松就是如此一次又一次地利用灯光、冷、热、水和风,引起观众理性与感性反应的不断变换。</p><p>原籍冰岛的Olafur Eliasson1967年出生于丹麦的哥本哈根, 1989年到1995年期间就读于皇家艺术学院。个人作品曾在全世界众多的博物馆和艺术画廊中展出,其中,2003年为伦敦泰德现代博物馆(Tate Modern)的Unilever Series系列成功设计Weather Project的布置。多个公共或私人机构都有收藏他的作品,主要有纽约古根海姆博物馆(Solomon R Guggenheim), 洛杉矶现代艺术博物馆,雅典德斯塔当代艺术基金会以及泰德现代博物馆,Olafur Eliasson的近作展放在鹿特丹的Boijmans van Beuningen美术馆,东京的Hara当代美术馆和休斯敦曼尼收藏博物馆(Meni Collection)。Olafur Eliasson还在2003年代表丹麦参加了威尼斯当代艺术双年展(Biennale de Venise)。最近以来,他更多地专注于博物馆和建筑项目。主要工作有赫希杭博物館和雕塑園(Hirshhorn Museum and Sculpture Garden)的参观者融合方案和接待厅设置, 华盛顿特区史密森尼学会(Smithsonian Institution)旗下的现代与当代艺术博物馆。他生活和工作在柏林和哥本哈根两个城市之间。<br/></p><p>Olafur Eliasson</p><p></p><p>1967<br/>born in Copenhagen</p><p><br/>1989 – 1995<br/>studies at the Royal Danish Academy of Art in Copenhagen</p><p><br/>lives in Berlin </p><p></p><p></p><p>Solo Exhibitions</p><p><br/>2006</p><p>The Collectivity Project / Fellesprosjektet, Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo<br/>Your Uncertainty of Colour Matching Experiment (in cooperation with Boris Oicherman), Ikon Gallery, Birmingham<br/>Your constants are changing, Gallery Koyanagi, Tokyo<br/>Caminos de Naturaleza, Fundación Telefónica, Madrid<br/>The endless study, Kiesler Stiftung, Vienna<br/>Mediating Space / A Laboratory, Aedes am Pfefferberg, Berlin<br/>Light Lab, Portikus, Frankfurt/ Main <br/>Your engagement sequence, Tanya Bonakdar Gallery, New York<br/>Remagine Large Version, Kunstmuseum, Bonn<br/>Your waste of time, neugerriemschneider, Berlin<br/>Omgivelser, Andersen’s Contemporary, Copenhagen</p><p><br/>2005</p><p>The Water Tower Concert. Project Sammlung (4), Kunsthaus Zug<br/>The Body as Brain. Projekt Sammlung (3), Kunsthaus Zug<br/>Your light shadow, Hara Museum of Contemporary Art, Tokyo<br/>Your circumspection disclosed, NMAC Foundation, Cadiz<br/>Notion Motion, Museum Boijmans van Beuningen, Rotterdam<br/>The colour spectrum series, Niels Borch Jensen Galerie und Verlag, Berlin<br/>Limbo lamp for Pétur, SAFN, Reykjavik<br/>The light setup, Malmö Konsthall, Malmö / Lund Konsthall, Lund<br/>Olafur Eliasson, 101 Gallery, Reykjavik<br/>Meant to be lived in (Today I feel prismatic), Emi Fontana West of Rome*, Los Angeles<br/>The endless study, Foksal Gallery Foundation, Warsaw</p><p><br/>2004</p><p>Forgetting, Brändström & Stene Galerie, Stockholm<br/>Minding the world, ARoS Århus Kunstmuseum, Århus<br/>Your colour memory, Arcadia University Art Gallery, Glenside<br/>I only see things when they move, Aspen Art Museum<br/>The Body as Brain. Projekt Sammlung (2), Kunsthaus Zug<br/>Your Lighthouse. Works with light 1991 - 2004, Kunstmuseum Wolfsburg<br/> hotographs, The Menil Collection, Houston<br/>Colour Memory and Other Informal Shadows, Astrup Fearnley Museet for Moderne Kunst, Oslo<br/>360° room for all colors, Schirn Kunsthalle, Frankfurt/ Main<br/>Frost Activity, Hafnarhus, The Reykjavik Art Museum, Reykjavik</p><p><br/>2003</p><p>The Body as Brain. Projekt Sammlung (1), Kunsthaus Zug<br/>Delight and Other Luminous Movements, Galleria Emi Fontana, Milan<br/>The Weather Project, Tate Modern, London<br/>The Blind Pavilion, Danish Pavilion, 50th Biennale Venice <br/>Funcionamiento silencioso, Palacio de Cristal, Parque del Retiro, Museo Nacional centro de Arte Reina Sofia, Madrid<br/>Sonne statt Regen, Städtische Galerie im Lenbachhaus und Kunstbau, Munich<br/>Tanya Bonakdar Gallery, New York<br/>Museum Boijmans van Beuningen, Rotterdam</p><p><br/>2002 </p><p>Chaque matin je me sens différent, chaque soir je me sens le même, Musée d’Art Moderne de la Ville de Paris<br/>The Cartographic Series I + II, Niels Borch Jensen Verlag & Druck, Berlin<br/>Udsigten der aldrig tænker, Galleri Kirke Sonnerup, Såby<br/>Overgaden, Copenhagen<br/>i8 Gallery, Reykjavik</p><p><br/>2001</p><p>Your Only Real Thing Is Time, The Institute of Contemporary Art, Boston<br/>The Mediated Motion, Kunsthaus Bregenz<br/>Surroundings Surrounded, Zentrum für Kunst und Medientechnologie, Karlsruhe<br/> rojects 73: Olafur Eliasson: Seeing Yourself Sensing, The Museum of Modern Art, New York<br/>The Structural Evolution Project, Mala Galerija, Ljubljana<br/>Die Dinge, die du nicht siehst, die du nicht siehst, neugerriemschneider, Berlin<br/>The Young Land, Barge Project, The Institute of Modern Art, Boston<br/>Reykjavik Art Festival</p><p><br/>2000</p><p>Surroundings Surrounded, Neue Galerie am Landesmuseum Joanneum, Graz<br/>The only thing that we have in common is that we are different, CCA Center for Contemporary Art, Kitakyushu Project Gallery, Kitakyushu<br/>Focus: Olafur Eliasson, Your intuitive surroundings vs. your surrounding intuition, The Art Institute of Chicago<br/>The Curious Garden, Irish Museum of Modern Art, Dublin<br/>Your Now Is My Surroundings, Bonakdar Jancou Gallery, New York<br/>Your Orange Afterimage Exposed, Gallery Koyanagi, Tokyo<br/>Your Blue Afterimage Exposed, Masataka Hayakawa Gallery, Tokyo<br/>The Aldrich Museum of Contemporary Art, Ridgefield<br/>IASPIS, Stockholm<br/>Kunstverein Wolfsburg</p><p><br/>1999</p><p>Your position surrounded and your surroundings positioned, Dundee Contemporary Arts<br/>Your Circumspection Disclosed, Castello di Rivoli, Museo d’Arte Contemporanea, Turin<br/>Olafur Eliasson, Job Koelewijn, De Appel Foundation, Amsterdam<br/>Riflessi di una certa importanza, Galleria Emi Fontana, Milan<br/>Your Double Day Diary, Frankfurter Kunstverein, Frankfurt/Main<br/>Beauty, Marc Foxx Gallery, Los Angeles<br/>i8 Gallery, Reykjavik</p><p><br/>1998</p><p>Galerie für Zeitgenössische Kunst, Leipzig<br/>Galerie Peter Kilchmann, Zurich<br/>Yet Untitled, neugerriemschneider, Berlin<br/>The inventive velocity versus your inverted veto, Bonakdar Jancou Gallery, New York<br/>Kjarvalsstadir, The Reykjavik Art Museum<br/>Aquarium, Galerie Enja Wonneberger, Kiel<br/>Fotografier, Bild Museet, Umeå<br/>Raum für eine Farbe, Kunsthalle Bremen<br/>Tell me about a miraculous invention, Århus Kunstmuseum</p><p><br/>1997</p><p>The curious garden, Kunsthalle Basel<br/>Your sun machine, Marc Foxx Gallery, Los Angeles<br/>Stalke Galleri, Copenhagen<br/>Kunsthalle Levyn, Vienna</p><p><br/>1996</p><p>Your strange certainty still kept, Tanya Bonakdar Gallery, New York<br/>Your foresight endured, Galleria Emi Fontana, Milan<br/>Tell me about a miraculous invention, Galleri Andreas Brändström, Stockholm; Århus Kunstmuseum<br/>Malmö Konstmuseum</p><p><br/>1995</p><p>Eine Beschreibung einer Reflexion oder aber eine angenehme Übung zu deren Eigenschaften, neugerriemschneider, Berlin<br/>Künstlerhaus Stuttgart<br/>Thoka, Kunstverein in Hamburg<br/>Tommy Lund Galerie, Odense</p><p><br/>1994</p><p>Stalke Galleri, Copenhagen<br/>No Days in Winter, No Nights in Summer, Forumgalleriet, Malmö<br/>Einige erinnern sich, dass sie auf dem Weg waren diese Nacht, Galerie Lukas & Hoffmann, Cologne</p><p><br/>1991</p><p>Overgaden Galleri, Copenhagen</p><p></p><p></p><p>Group Exhibitions</p><p><br/>2006</p><p>Out of Place, The New Art Gallery Walsall, West Midlands<br/>No. 14 Light Play, Z33, Hasselt<br/>The François Pinault Collection, a Post-Pop Selection, Palazzo Grassi, Venice<br/>Gletscherdämmerung, ERES-Stiftung, Munich<br/>Der Blaue Reiter im 21. Jahrhundert, Lenbachhaus, Munich<br/>Open House / Casa Aberta, INHOTIM centro de arte contemporânea, Minas Gerais, Brazil<br/>FASTER! BIGGER! BETTER!, ZKM Zentrum für Kunst und Medien Technologie, Karlsruhe<br/>Exhibition of Contemporary Art “New Space”, Pinchuk Art Centre, Kiev<br/>Eye on Europe: Prints, Books & Multiples / 1960 to Now, The Museum of Modern Art, New York<br/>After Cage - 24 Collections in Motion, Aachen – Liége – Hasselt – Maastricht<br/>Convertible City, German Pavillon, 10th International Architecture Exhibition, Venice<br/>Not All Is Visible / Works from the Astrup Fearnley Collection, Astrup Fearnley Museum of Modern Art, Oslo<br/>Surprise, Surprise, Institute of Contemporary Arts, London<br/>Visuell – Blind Date. Neuerwerbungen der Sammlung Deutsche Bank, Galerie Kunstforum, Altes Haus, Seligenstadt<br/>Fantastic Politics, The National Museum of Contemporary Art, Oslo<br/>Testigos / Witnesses, NMAC Foundation, Madrid<br/>Anstoss Berlin – Kunst macht Welt, Haus am Waldsee, Berlin<br/>Rauminszenierungen 2006, Gartenlandschaft OstWestfalenLippe, Bielefeld<br/>The Expanded Eye, Kunsthaus Zürich, Zurich<br/>Landscape: Recent Acquisitions, The Museum of Modern Art, New York<br/>Bühne des Lebens – Rhetorik des Gefühls, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich <br/>Nature Attitudes, Thyssen-Bornemisza Art Contemporary, Vienna<br/>Intensive Science, La Maison Rouge, Paris<br/> eace Tower, Whitney Museum of American Art, New York<br/>Constructing New Berlin, Phoenix Art Museum, Arizona <br/>The Garden Party, Deitch Projects, New York<br/>SHIFTscale, KUMU / The Art Museum of Estonia, Tallinn<br/>Galleri MGM, Oslo<br/>Bjerge I Dansk Kunst – fra Willumsen til Parfyme, Herning Kunstmuseum, Herning <br/>Botanical Garden, Jardín Botánico Culiacán, Mexico<br/>Between Art and Life: The Contemporary Painting and Sculpture Collection, SFMOMA San Francisco Museum of Modern Art<br/>Where are we going? Palazzo Grassi, Venice<br/>The clouds between us – and other works from the Moderna Museet’s collection, Moderna Museet, Stockholm<br/>Premio Biella per l’incisione: Arte nell’eta dell’ansia, Museo del Territorio Biellese, Biella<br/>Das erste Blick, Sammlung GAG, Weimar<br/>Dialog Skulptur, Kunstverein Ludwigshafen</p><p><br/>2005</p><p>Parkett – 20 Years of Artists’ Collaborations, Kunsthaus Zürich<br/>En / Of, Museum Kurhaus, Kleve<br/>Sammlung 2005 – Neupräsentation, Kunstsammlung im Ständehaus, Düsseldorf<br/>36 x 27 x 10, White Cube Berlin<br/>Lichtkunst als Kunstlicht, ZKM / Museum für Neue Kunst, Karlsruhe<br/>Expérience de la durée, Biennale d’art contemporain de Lyon<br/>Wittgenstein in New York, Kupfertstichkabinett, Berlin<br/>Steirischer Herbst 2005: Europäische Stadtlandschaften, Kunsthaus Graz<br/>Controlled, Contained and Configured, Tanya Bonakdar Gallery, New York<br/>Ecstasy: In and About Altered States, MOCA Museum of Contemporary Art, The Geffen Contemporary, Los Angeles<br/>ARTE ALL’ARTE 10, Art Architecture Landscape, Associazione Arte Continua, San Gimignano<br/>Tirana Biennale 3 Sweet Taboos, Tirana<br/>Einstein Spaces, Potsdam<br/>In the Middle of the Night, Kunsthalle Bielefeld <br/>Here comes the sun, Magasin 3 Stockholm Konsthall, Stockholm<br/>The Opening, Andersen_S Contemporary Art, Copenhagen<br/>Paisaje Humano. Hogares. Concepto y Sentiemento. Gente (Human Landscape. Home. Conceptual and Landscape. People.), Centro de Arte Contemporáneo de Málaga<br/>DANISH – framing the future of design, Danish Design Centre, Copenhagen<br/>Beyond Delirious: Architecture in Selected Photographs from the Ella Fontanals Cisneros Collection, Cisneros Fontanals Art Foundation <br/>Contemporary Nordic Sculpture 1980 - 2005, The Wanås Foundation, Knislinge <br/>Send min ven i skole, Hele verden i skole 2005, Københavns Bymuseum, Copenhagen<br/>Send my Friend to School, Global Campaign for Education, South Bank, London<br/>River Styx, Western Bridge, Seattle<br/>Oeuvres du fonds national d’art contemporain, Musée d’Art Contemporain de Lyon<br/>Emergencias, Museo de Arte Contemporéneo de Castilla y Léon<br/>First Acquisitions. A selection of works from the Foundation for Contemporary Art Victor Pinchuk, Ukraine, Palazzo Papadopoli, Venice<br/>Die Ordnung der Natur, Museum Moderner Kunst, Passau<br/>Out there: Landscape in the New Millenium, Museum of Contemporary Art, Cleveland<br/>Desenhos: A - Z (Drawings: A - Z), Colecção Madeira Corporate Services, Porta 33, Funchal, Ilha da Madeira<br/>Material Time/Work Time/Life Time, Reykjavik Arts Festival, Reykjavik<br/>Making things public – Atmospheres of Democracy, ZKM, Karlsruhe<br/>Wolkenbilder. Von John Constable bis Gerhard Richter, Aargauer Kunsthaus, Aarau<br/>Das verlorene Paradies: Die Landschaft in der Zeitgenössischen Photographie, Stiftung Opelvillen, Rüsselheim<br/>Prolog + mission of art, Akademie der Künste, Berlin<br/>Always a little further, La Biennale di Venezia, Arsenale<br/>Our Surroundings, Dundee Contemporary Arts<br/>Dialog Skulptur, Kunstforum Seelingstadt<br/>Collección de Fotografía Contemporánea de Telefónica, Museo de Arte Contemporánea de Vigo<br/>Der Kunst Ihre Räume, Bonner Kunstverein<br/>Atlantic and Bukarest, Kunstmuseum Basel</p><p><br/>2004</p><p>Los usos de la imagen, Fotografía, film y video, La Colección Jumex, Buenos Aires<br/>dep,art,ment – the multiple shop of stockholm, Galleri Charlotte Lund, Stockholm<br/>The Nature Machine: Contemporary Art, Nature and Technology, Queensland Art Gallery, South Brisbane<br/>Dicen que finjo o miento. La ficciòn revisada, Central de Arte, Guadalajara<br/>Modus Operandi, T-B A21, Vienna<br/>Centro de Arte Contemporanea Inhotim (CACI), Brazil<br/>WOW (The Work of the Work), Henry Art Gallery & Western Bridge, Seattle<br/>Stadtlicht-Lichtkunst, Wilhelm-Lehmbruck-Museum, Duisburg<br/>Invisible, Palazzo delle Papesse Centro Arte Contemporanea, Siena<br/>Mehr Licht: Targetti Light Collection, Museum für angewandte Kunst, Vienna<br/>Bewegliche Teile. Formen des Kinetischen, Kunsthaus Graz <br/>Parallele 64- Art Contemporain Islandais, Espace d’art contemporain Gustave Fayet, Sérignan<br/>The Encounters in the 21st Century: Polyphony – Emerging Resonances, 21st Century Museum of Modern Art, Kanazawa<br/>Utopia Station, Mostra d’Oltre Mare, Naples<br/>Utopia Station, Haus der Kunst, Munich<br/>ein-leuchten, Museum der Moderne, Salzburg<br/>Artists Favourites (Act 2), Institute of Contemporary Arts, London<br/>6. Internationale Foto-Triennale, Villa Merkel / Bahnwärterhaus, Esslingen<br/>monument to now, The Dakis Joannou Collection, Athens<br/>Reflecting the mirror, Marian Goodman Gallery, New York<br/>Everything is connected he, he, he, Astrup Fearnley Museum of Modern Art, Oslo<br/>Why not live for art, Tokyo Opera City Art Gallery<br/>Atomkrieg, Kunsthaus Dresden<br/>Landscape ?2, Towner Art Gallery, Eastbourne<br/>Nouvelles Collection, CentrePasquArt, Bel Bienne<br/>Story, myth and dream, Statens Museum for Kunst, Copenhagen<br/>La relatividad del tiempo y los distintos sistemas de referencia, Oficina para Proyectos de Arte A.C. Guadalajara<br/>Imágenes en movimiento / Moving Pictures, Guggenheim Bilbao<br/>Double Exposure, Brigitte March, Stuttgart<br/>Werke aus der Sammlung Boros, Museum für Neue Kunst/ ZKM, Karlsruhe<br/>realityREAL: Arbeiten auf Papier, Galerie Gebr. Lehmann, Dresden<br/>Game of Life, Elías Hjörleifsson and Ólafur Elíasson, Hafnarborg, Hafnarfjardar<br/>Monument to Now, Deste Foundation Centre for Contemporary Art, Athens<br/>The Amazing & the Immutable, University of South Florida CAM, Florida</p><p><br/>2003 </p><p>Spread in Prato, Dryphoto Arte Contemporanea, Prato<br/>The new geometry, Galeria Fortes Vilaca, Sao Paolo<br/>Rent-A-Bench, Trapholt Museum, Kolding<br/>The Fifth System: Public Art In The Age Of ”Post-Planning”, The 5th Shenzhen International, Shenzhen Public Art Exhibition<br/>Telefónica’s Contemporary Photography Collection, Telefónica Foundation, Madrid<br/>In Full View, Andrea Rosen Gallery, New York<br/>Fra objektiv til objekt, Den Frie Udstillingsbygning, Copenhagen<br/>Sitings: Installation Art, 1969 - 2002, Museum of Contemporary Art, Los Angeles<br/>A Nova Geometria, Galeria Fortes Vilaça, São Paulo<br/>Art Against Stigma, Statens Museum for Kunst, Copenhagen<br/>The Origin of Things: Design Award Rotterdam: Imaging Ulysses, Museum Boijmans van Beuningen, Rotterdam<br/>Hands up, Baby, Hands up, Oldenburger Kunstverein<br/>Support: Die Neue Galerie als Sammlung, Neue Galerie am Landesmuseum Joanneum, Graz<br/>The Straight or Crooked Way, Royal College of Art, London<br/>Edén, Antiguo Colegio de San Ildefonso, Mexico City<br/>See History 2003: Eine Sammlung wird ausgestellt, Kunsthalle zu Kiel der Christian-Albrechts-Universität, Schleswig-Holstei-nischer Kunstverein, Kiel<br/>No Art = No City! Stadtutopien in der zeitgenössischen Kunst, Städtische Galerie im Buntentor, Bremen<br/>ARKENS Samling 2003, ARKEN Museum for Moderne Kunst, Ishøj<br/>Einbildung — Das Wahrnehmen in der Kunst, Kunsthaus Graz<br/>Spoleto Science Festival, Spoleto<br/>Tirana Biennale 2, Tirana<br/>Svjetlina: Djela iz Thyssen-Bornemisza Zaklade za suvremenu umjetnost/Brightness: Works from the Thyssen-Bornemisza Contemporary Art Foundation, Museum of Modern Art, Dubrovnik<br/>De bortbjudna, Malmö Art Museum<br/>Looking In – Looking Out, Kunstmuseum Basel<br/>Imperfect Marriages, Galleria Emi Fontana, Milan<br/>Frankenstein, Tanya Bonakdar Gallery, New York<br/>Air, James Cohan Gallery, New York<br/>Island i Danmark, Galleri Kirke Sonnerup, Såby<br/>Revisitar Canarias / The Canary Islands Revisited, Galería Elba Benítez, Madrid<br/>Ars Photographica: Fotografie und Künstlerbücher, Neues Museum Weserburg, Bremen<br/>Double Exposure: 14 fotografische Diptychen, Galerie und Edition Schellmann, Munich<br/>Topos/Atopos/Anatopos, CCNOA, Brussels<br/>Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore; Palm Beach Institute of Contemporary Art, Lake Worth<br/>Manifestation Internationale d’Art de Quebec, Quebec<br/>Add to it: Louise Lawler (pictures), Olafur Eliasson & Zumtobel Staff (light), Tobias Rehberger (space), Portikus im Leinwandhaus, Frankfurt/Main<br/>After the Observatory, Paula Cooper Gallery, New York<br/>Imagination – Perception in Art, Landesmuseum Joanneum, Kunsthaus Steiermark<br/>Utopia Station Poster Project, Haus der Kunst, Munich<br/>Warped Space, Wattis Institute for Contemporary Arts, San Francisco<br/>In full view, Andrea Rosen Gallery, New York<br/>Everything can be different, Maryland Institute College of Art, Baltimore<br/>The Canary Islands Revisited, Galeria Elba Benítez, Madrid<br/>Galleria Emi Fontana, Milan</p><p><br/>2002</p><p>Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Solomon R. Guggenheim Museum, New York; Guggenheim, Bilbao<br/>New Projects, NMAC Foundation, Madrid<br/>Rent-a-Bench, Los Angeles<br/>Topos/Atopos/Anatopos, CCNOA, Brussels<br/>Ars Lucis et Umbrae, Museum im Palais Kinsky, Vienna<br/>Void, Rice Gallery G2, Tokyo<br/>Regarding Landscape, Art Gallery of York University, Toronto; The Koffler Gallery, Toronto; Museum of Contemporary Canadian Art, Ontario; Liane and Danny Taran Gallery, Saidye Bronfman Center for the Arts, Montreal<br/>Dialoghi Europei d’Arte: Città di Napoli, Castel dell’Ovo and Castel Nuovo, Naples<br/>El Aire es Azul / The Air Is Blue, Casa Museo Luis Barragán, Mexico City<br/>From the Cool Light, Niels Borch Jensen Verlag & Druck, Berlin<br/>Mirror Mirror, Massachusetts Museum of Contemporary Art, North Adams<br/>No Return, Städtisches Museum Abteiberg, Mönchengladbach<br/>Ars Photographica: Fotografie und Künstlerbücher, Neues Museum Weserburg, Bremen<br/>Claude Monet … bis zum digitalen Impressionismus, Fondation Beyeler, Riehen<br/>Oluf Høst i dalog med nutiden, Aarhus Kunstmuseum<br/>The Hugo Boss Prize 2002, Solomon R. Guggenheim Museum, New York<br/>The Object Sculpture, Henry Moore Institute, Leeds<br/>Thin Skin, AXA Gallery, New York; Scottsdale Museum of Contemporary Art; Gemeentemuseum Helmond; Chicago Cultural Center; Edward A. Ulrich Museum of Art, Wichita State University, Wichita; Boise Art Museum<br/>From the Observatory, Paula Cooper Gallery, New York<br/>XXVII Bienal de Arte de Pontevedra, Pazo da Cultura de Pontevedra<br/>Diamanti: Arte, Storia, Scienza, Scuderie del Quirinale, Rome<br/>Radar: Electronic Integration, Copenhagen and Malmö<br/>Look into the box, Musée d’Art Moderne de la Ville de Paris<br/>Der reflektierende Korridor. Entwurf zum Stoppen des freien Falls, Zentrum für internationale Lichtkunst, Unna<br/>Next, Curated by Hans-Ulrich Obrist, Do it @e-flux.com<br/>Tomorrow fish‘n‘ chips, Autocenter, Berlin<br/>Acquiring Taste, Real Art Ways, Hartford, CT<br/>Pontevedra Biennial, Madrid<br/>Beyeler Museum Riehen, Basel</p><p><br/>2001</p><p>International Triennale of Contemporary Art, Yokohama<br/>Everything Can Be Different, (organized by Independent Art Curators International), Jean Paul Slusser Gallery, University of Michigan School of Art and Design, Ann Arbor; Art Museum, University of Memphis; Maryland Institute College of Art, Baltimore <br/>Black Box: Der Schwarzraum in der Kunst, Kunstmuseum Bern<br/>Aubette: Het verlangen naar een (andere) plaats, Museum Dhondt-Dhaenens, Deurle<br/>Freestyle: Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen<br/>En pleine terre: Eine Wanderung zwischen Landschaft und Kunst, Spiral Jetty und Potsdamer Schrebergärten, Museum für Gegenwartskunst der Öffentlichen Kunstsammlungen Basel und der Emanuel Hoffmann-Stiftung, Basel<br/>10 Years with Stalke Out Of Space, Stalke Galleri, Kopenhagen<br/>Form follows fiction/ Forma e finzione nell’arte di oggi, Castello di Rivoli, Museo d’Arte Contemporanea, Turin<br/>The Waste Land: Wüste und Eis: Ödlandschaften in der Fotografie, Zentrum für zeitgenössische Kunst der Österreichischen Galerie Belvedere, Atelier Augarten, Vienna<br/>Vision og virkelighed: Forestillinger om det 20. Jahrhundrede/ Vision and Reality: Conceptions of the 20th Century, Louisiana Museum for Moderne Kunst, Humlebæk<br/>Palomino, Galerie für Zeitgenössische Kunst, Leipzig<br/>Vrai que nature, CAPC Musée d’art contemporain, Bordeaux<br/>Confronting Nature, Corcoran Gallery of Art, Washington D.C.<br/>Neue Welt, Frankfurter Kunstverein, Frankfurt/ Main<br/>Yokohama 2001; International Triennale of Contemporary Art, Kanagawa, Yokohama Prefecture<br/>En el Cielo, Venice Biennale, Basel 32, Venice<br/>All-Terrain: An Exploration of Landscape and Place, Contemporary Art Center of Virginia</p><p><br/>2000</p><p>Preis der Nationalgalerie für junge Kunst, Verein der Freunde der Nationalgalerie, Berlin<br/>Joyce Event, Merce Cunningham Dance Company, Joyce Theater<br/>Wonderland, The Saint Louis Art Museum, St. Louis<br/>The Greenhouse Effect, Serpentine Gallery, London<br/>Times Are Changing: Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken der Kunsthalle Bremen, 1950 - 2000, Kunsthalle Bremen<br/>Raumkörper: Netze und andere Gebilde, Kunsthalle Basel<br/>Preis der Nationalgalerie für junge Kunst, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin<br/>Syndrome, IASPIS Galleriet, Stockholm<br/>Vision og virkelighed: Forestillinger om det 20. århundrede / Vision and Reality: Conceptions of the 20th Century, Louisiana Museum for Moderne Kunst, Humlebæk<br/>Naust, Øygarden<br/>Photogravüre, Niels Borch Jensen Verlag & Druck, Berlin<br/>ForwArt, a choice, BBL (Banque Lambert), Brussels<br/>Over the Edges, The Hidden Places of Gent, SMAK Stedelijk Museum voor Actuele Kunst, Gent<br/>Wanås 2000, Stiftelsen Wanås Utställningar, Knislinge<br/>Bleibe, Akademie der Künste, Berlin<br/>Organising Freedom – Nordic Art of the 90s, Moderna Museet, Stockholm/ Charlottenborg Kopenhahen<br/>North: A New Conceptual Landscape, Aspen Art Museum<br/>Benesse Prize Winners in Naoshima, Naoshima Contemporary Art Museum, Kagawa<br/>The First Works at Kilchmann, Galerie Peter Kilchmann, Zurich<br/>On paper, Stalke Galleri, Copenhagen<br/>International Garden Show, Graz<br/>Paula Cooper Gallery, New York</p><p><br/>1999</p><p>Carnegie International, 1999 / 2000, Carnegie Museum of Art, Pittsburgh<br/>Schöpfung, Karmelitenkirche, Munich; Diözesanmuseum Freising; Heilig-Geist-Kirche, Landshut<br/>Skulptur-Biennale 1999 im Münsterland, Münster<br/>Olafur Eliasson, Vadim Fikin, Marko Peljhan, Eulàlia Valldosera – … incommensurabilis … , Galerija Skuc, Ljubljana<br/>Can You Hear Me? 2. Ars Baltica Triennale der Photokunst, Stadtgalerie im Sophienhof, Kiel; Kunsthalle Rostock; Contemporary Art Centre, Vilnius; Kunst Haus Dresden; Bergens Kunstforening, Bergen; Galleria Otso, Espoo<br/>German Open: Gegenwartskunst in Deutschland, Kunstmuseum Wolfsburg<br/>Saman taivaan alla: Taidetta kaupungissa, 1999 - 2000: Under samma himmel/ Under the Same Sky, Kiasma, Museum of Contemporary Art, Helsinki<br/>Galerija Skuc, Ljubljana<br/>To the People of the City of the Euro, Frankfurter Kunstverein, Frankfurt/ Main<br/>Photography from the Martin Z. Margulies Collection, The Art Museum at Florida International University, Miami<br/>The Midnight Sun Show, Lofoten<br/>Panorama 2000, Centraal Museum, Utrecht<br/>Sommerens mørke og lyse nætter, Aarhus Kunstbygning<br/>Overflow, Marianne Boesky & D’Amelio-Terras & Anton Kern Galleries, New York<br/>Photography: An Expanded View: Recent Acquisitions, Solomon R. Guggenheim Museum, New York<br/>Arte Continua, Casole d’Elsa I, San Gimignano<br/>Landscape: Outside the Frame, MIT List Visual Art Center, Cambridge<br/>Drawings, Bonakdar Jancou Gallery, New York<br/>Children of Berlin, P.S.1 Contemporary Art Center, New York<br/>6th International Caribbean Biennal, The Golden Lemon, St. Kitts<br/>d’APERTutto, 48, La Biennale di Venezia, Venice<br/>Dreams, Fondazione Sandretto Re Rebaudengo, Turin<br/>Blown Away, 6th International Caribbean Biennial, The Golden Lemon, St. Kitts, Caribbean Islands<br/>Eingeladen / Uitgenodigd, ACHK – De Paviljoens, Al Almere<br/>Next Stop, Kunstfestivalen Lofoten<br/>Galeria Heinrich Eberhardt, Madrid<br/>A Project for the Castle, Castello di Rivoli, Museum of Contemporary Arts<br/>Focused, Galerie Tanit, Munich<br/>Konstruktionszeichnungen, Kunstwerke, Berlin<br/>Wanas 1999, Malmö Konstmuseum<br/>Job Koelewijn & Olafur Eliasson, De Appel, Amsterdam</p><p><br/>1998 </p><p>Fast Forward 4 “Archives”, Kunstverein Hamburg<br/>Sharawadgi, Felsenvilla, Baden<br/>Seamless, Stichting De Appel, Amsterdam<br/>Something Is Rotten in the State of Denmark, Museum Fridericianum, Kassel<br/>Do All Oceans Have Walls? Städtische Galerie im Buntentor, Bremen<br/>Mai 98, Kunsthalle Köln<br/>Berlin / Berlin – 1. Berlin Biennale, Akademie der Künste; Postfuhramt; Kunst-Werke Berlin e.V., Institute for Contemporary Art, Berlin<br/>Auf der Spur, Kunsthalle Zürich<br/>Waterfall, Sydney Biennial<br/>The very large ice floor, XXIV Bienal de São Paulo<br/>Cool Places: The 7th Triennial of Contemporary Art, Contemporary Art Center, Vilnius<br/>The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg<br/>Transatlántico, Centro Atlántico de Arte Moderno, Las Palmas<br/>Stalke Anniversary Show, Stalke Galleri, Copenhagen<br/>Underground, Copenhagen<br/>Sightings: New Photographic Art, Institute of Contemporary Art, London<br/>Interferencias, Museo de Arte Contemporaneo, Madrid<br/>Warming, The Project, a space in Harlem, New York<br/>Round About Ways, Schloss Ujazdowski, Warsaw<br/>La Ville, le jardin, la mémoire, Villa Medici, Académie de France à Rome<br/>Light x Eight: The Hanukkah Project, The Jewish Museum, New York<br/>Edstrandska Stiftelsens Konstnärsstipendiater 1998 / The Edstrand Foundation Art Prize 1998, Rooseum, Center for Contemporary Art, Malmö<br/>New Photography 14: Jeanne Dunning, Olafur Eliasson, Rachel Harrison, Sam Taylor-Wood, The Museum of Modern Art, New York<br/>Dad’s Art, neugerriemschneider, Berlin<br/>Nuit blanche, La jeune scène nordique, Musée d’Art Moderne de la Ville de Paris; Reykjavik Municipal Art Museum; Bergen Billedgalleri; Porin Taidemuseo; Göteborgs Konstmuseum<br/>Kunst & Windenergie zur Welt-ausstellung, Rathaus der Landeshauptstadt Hannover<br/>Pakkhus: MOMENTUM Nordic Festival of Contemporary Art, Moss<br/>Brytningstider, Norrkopings Konstmuseum<br/>StadtLandschaften, Sabine Kunst Galerie & Edition, Munich</p><p><br/>1997</p><p>Été 97, Centre Genevois de Gravure Contemporaine, Geneva<br/>Kunstpreis der Böttcherstrasse in Bremen 1997, Bonner Kunstverein<br/>Heaven, P.S.1 Contemporary Art Center, New York<br/>On Life, Beauty, Translations and Other Difficulties: 5th International Istanbul Biennial<br/>Trade Routes, 2nd Johannesburg Biennale<br/>Truce: Echoes of Art in an Age of Endless Conclusions, SITE Santa Fe<br/>Alikeness, Centre for Contemporary Photography, Fitzroy<br/>The Louisiana Exhibition: New Art from Denmark and Scania, Louisiana Museum for Moderne Kunst, Humlebæk<br/>Studija Islandija, Contemporary Art Centre, Vilnius<br/>3e Symposium en arts visuels de l’Abitibi-Témiscamingue, LANDART, Centre d’exposition d’Amos <br/>Platser, Projects in Public Space, Stockholm<br/>Schauplatz Museumsquartier: Zur Transformation eines Ortes, Kunsthalle Wien<br/>Sightings: New Photographic Art, Institute of Contemporaray Art, London<br/>Berlin Biennal</p><p><br/>1996</p><p>Manifesta 1, Rotterdam<br/>Nach Weimar, Kunstsammlungen zu Weimar<br/>Alles was modern ist, Galerie Bärbel Grässlin, Frankfurt/Main<br/>Tolv, Schaper Sundberg Gallery, Stockholm<br/>Prospect 96: Photographie in der Gegenwartskunst, Frankfurter Kunstverein and Schirn Kunst-halle Frankfurt<br/>Views of Icelandic Nature, Kjarvalsstadir, The Reykjavik Art Museum<br/>Provins-Legende, Samtidsmuseet Roskilde<br/>Glow: Sublime Projected and Reflected Light, New Langton Arts, San Francisco<br/>The Scream: Borealis 8, Nordic Fine Arts, 1995 - 1996, ARKEN Museum for Moderne Kunst, Ishøj<br/>Summer Show, Tanya Bonakdar Gallery, New York<br/>Remote Connections, Neue Galerie Graz; Wäino Aaltonen Museum of Art, Turku; Artfocus, Tel Aviv<br/>Campo 95, Kunstmuseet Malmö</p><p><br/>1995</p><p>(Landschaft) mit dem Blick der 90er Jahre, Mittelrhein-Museum, Koblenz; Museum Schloss Burgk/ Saale; Haus am Waldsee, Berlin<br/>Kunst & Ökologie, Kunstverein Schloss Plön<br/>Campo 95, Corderie dell’Arsenale, Venice; Fondazione Sandretto Re Rebaudengo, Turin</p><p><br/>1994</p><p>Europa, Ausstellung Münchner Galerien, Munich</p><p><br/>1993</p><p>1700 CET, Stalke Out of Space, Copenhagen<br/>Black Box, GLOBE Kuratorengruppe, Copenhagen<br/>Opening Show, Galleri Nicolai Wallner, Copenhagen</p><p><br/>1992</p><p>Overdrive, 10 Young Nordic Artists, Projektraum, Copenhagen<br/>Lightworks, Demonstrationslokalet for Kunst, Copenhagen<br/>Paradise Europe, Poster Project, Copenhagen</p><p></p><p></p><p>Projects</p><p><br/>2006 </p><p>The after image experiment, Zeiss Grossplanetarium, Berlin <br/></p><p></p>
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