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作品推荐(Olafur Eliasson)

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发表于 2007-8-4 13:25:49 |只看该作者 |倒序浏览
真是干净、漂亮




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我来,是因为冬天我办公室出奇的温暖 http://spaces.msn.com/members/zhaogang7601/

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发表于 2007-8-4 13:25:49 |只看该作者




这个人的中文介绍不知道什么地方有?谁知道贴上来我看看呢?

360 degree room for all colors  
2002  
我来,是因为冬天我办公室出奇的温暖 http://spaces.msn.com/members/zhaogang7601/
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发表于 2007-8-4 13:25:49 |只看该作者
这个好象比较有名,在去年某一期的艺术当代上有介绍,忘记了!

The weather project  
2003  










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发表于 2007-8-4 13:25:49 |只看该作者
从一年半以前开始,这个人就是我的偶像~
——有时人们感到:除将“除以受苦为生活的直接目的之外,人生就没有什么目的可言”说与人知,双鱼座的人生就没有什么目的可言。——姑姑说的 又及 ——朱门酒肉臭,路有冻死骨—— http://tongueear.blogcn.com
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发表于 2007-8-4 13:25:49 |只看该作者
凑合着看

Olafur Eliasson
24 Oct 2000 - 2 Dec 2000
Bonakdar Jancou Gallery is pleased to present \'Your now is my surroundings,\' Olafur Eliasson\'s third exhibition with the gallery.

In \'Your now is my surroundings,\' Eliasson has converted the interior of the main gallery space into an exterior courtyard. The glass panels from the skylight have been removed. Beneath the skylight, a space has been constructed to the exact dimensions of the opening in the ceiling. Glass mirror has been installed onto each of the four walls of the constructed space, starting at 68 inches above the floor (an approximation of \'eye-level\') and spanning to the mouth of the open skylight.

The \'courtyard\' is entered and exited through the same front door. A darkened corridor, created by the space between the exterior of the courtyard and the interior of the main gallery, leads the visitor to a window-like opening in an internal gallery wall. Channelling daylight into the darkened space, the opening offers a kaleidoscopic view out across 21st street from the main gallery, by way of a mirror-lined shaft that runs through an adjacent second gallery that continues through the gallery office. The second gallery offers an external view of the of this mirror shaft, as does the office area.

Clearly engaged in an architectural discourse, \'Your now is my surroundings\' presents architecture as an experience, an investigation of the individual perception of space and orientation. Eliasson has effected the function of the space so that it acts as a veritable \'viewing machine,\' or camera, with the individual visitor as the iris, and memory as film. The experience of the visitor is utterly reconfigured, even reversed, as the visitor does not only look at an object set within the gallery, or an architectural space, from the outside - in; but rather, the gaze is re-directed from the inside - out. This raises the issue of a \'double perspective,\' that is, \'seeing yourself seeing,\' elucidating our capacity not only to see, but to see from where it is we stand and look.

The installation further deals with issues of movement, social relations and individual freedom, or rather, the freedom from homogeneity of the heavily coded public space. Eliasson is interested in shifting the way in which our surroundings are laid out and perceived according to convention, emphasizing that perhaps our greatest commonality is that we are different. Our experiences are then understood and given meaning through representational layers that are individually assigned. But universally, experience (be it rooted in the past in the form of memory, or the future in the form of anticipation) is perceived in the present, in the \'now,\' as informed and projected by the sensory stimuli put forth by the surroundings. Here, Eliasson has created an \'open\' space, or \'decoded\' chamber, for the visitor to enter and perceive architecture as experience.

In the past year, Eliasson\'s numerous one-person museum exhibitions included the Neu Galerie, Graz; Kunstmuseum Wolfsburg; the Irish Museum of Modern Art and the Art Institute of Chicago; while also participating in the Venice Biennial and the Carnegie International, among other international survey exhibitions. Later this year, Eliasson will have a museum solo exhibition at the Institute of Contemporary Art in Boston
我来,是因为冬天我办公室出奇的温暖 http://spaces.msn.com/members/zhaogang7601/
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发表于 2007-8-4 13:25:49 |只看该作者
我有他的几本画册,但没见过中文网页^英文的倒是有很多,官方说法是他的作品一般来自于对自然现象和天气变化的模拟~~~~~~反正是个超级大师大牌......才气大王~~我的偶像
——有时人们感到:除将“除以受苦为生活的直接目的之外,人生就没有什么目的可言”说与人知,双鱼座的人生就没有什么目的可言。——姑姑说的 又及 ——朱门酒肉臭,路有冻死骨—— http://tongueear.blogcn.com
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发表于 2007-8-4 13:25:49 |只看该作者
以下是引用赵罡在2005-4-3 17:39:54的发言:



The weather project  
2003  

这张我是见过中文介绍的,气势恢弘,场景壮观,等会去翻一下书架,可能会找得到!

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发表于 2007-8-4 13:25:49 |只看该作者
这是在泰特美术馆做的人工落日

最喜欢那个冰亭
还有闪灯瀑布~~~~
——有时人们感到:除将“除以受苦为生活的直接目的之外,人生就没有什么目的可言”说与人知,双鱼座的人生就没有什么目的可言。——姑姑说的 又及 ——朱门酒肉臭,路有冻死骨—— http://tongueear.blogcn.com
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9#
发表于 2007-8-4 13:25:49 |只看该作者
这个人造落日上过电视,好象是晚间新闻.很多人躺在地上晒太阳.~~~有作者的镜头,好象很年轻~~
http://liuxi17.tumblr.com/
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发表于 2007-8-4 13:25:50 |只看该作者
而且还很帅......

晕 死
——有时人们感到:除将“除以受苦为生活的直接目的之外,人生就没有什么目的可言”说与人知,双鱼座的人生就没有什么目的可言。——姑姑说的 又及 ——朱门酒肉臭,路有冻死骨—— http://tongueear.blogcn.com
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