艺术新经济

李牧

艺术新经济

策展人：Biljana Ciric 比利安娜

参展艺术家：鸟头、李牧、高铭研、唐狄鑫、赵赵、胡昀、金锋、卢佳炜、陆平原、张乐华、Anton Vidokle与Julieta Aranda、郁天柱


展览地点：奥沙画廊
地址：上海虹口区多伦路93号 （靠近多伦现代美术馆）
展览日期：2009年5月30日 —— 2009年7月20日
开幕酒会：2009年5月30日18:00
电话：86-021-56713605

本展览意图探索艺术经济的新的可能性。在艺术市场系统中，由画廊-藏家-拍卖行之间的关联来定义的艺术市场体系几百年来已建立了一个相对稳定的系统，使艺术家对自己的创作有一个清晰的认知，并清楚的知道自己在艺术市场环节中的位置。这个系统在一个相当长的时间里，建立在艺术对象的物质主义和有形介入的可能性上。今天的艺术世界中，所有的创作与再创作都通过技术的手段，使得艺术的商品化程度到达一个新的高度。持有作品的意识、作品的材质表现都与以往不同，作品的可保存性和可靠性都确保了艺术市场的稳定。
这个展览通过艺术家的作品，尝试让艺术家在艺术经济中的角色产生变化——艺术家的行为介入藏家、保存者、企业家的领域。通过艺术家独立的策略及概念化的作品，艺术家必须考虑到作品将如何进入艺术市场流通，或者一个艺术项目将如何有策略地包含其它可能超越现有艺术市场活动尺度的艺术家作品。
展览试图探讨如下议题：
收藏性和新的收藏方式
物质保存和其他的可能性
艺术市场和超过现有画廊服务的新的渠道
画廊和机构系统的新提案
除了买卖艺术经济的新的关系的建立可能性

成果书项目介绍：

成果书主要说明项目的策展理念，项目探讨了艺术经济的新形式，它不仅涉及艺术家，还包括从画廊老板、展馆负责人、策展人、投资人、艺术家、作者、剧院工作者、评论家等艺术圈内人士，为讨论关于艺术经济的新形式提供了一个平台来讨论大家的想法，而在将来也可以成为一个试验田。
成果书将不是仅仅对项目进行记录，而本身就是项目的一部分，包含了不同背景的人们对同一个议题的探讨。
本书尝试建立一个超越艺术本身的艺术经济数据库。同时它也拓展了策展的概念，策展模式不再是为艺术实践划出条条框框，而更多的是为不同观念的聚合提供实验室。
初步想法为邀请各方人士通过文字表述、图画、说明或其他任何能够以书的形式表现的内容，来对艺术经济新形式提出新的模式、想法和方式。
艺术市场近年来在中国大行其道，但从没有人对其现存形式存疑。这个项目的开创性理念将为艺术创作和艺术经济的新渠道提供资源。

成果书项目参与者：
稀客, Lorenz Helbling, 汉斯 乌尔里希 奥布里斯特, Steven Rand, 徐震, Eugene Tan, 赵川, Susanne Winterling, 赵半狄, 杨振忠, 刘建华, 林一林, 胡昉, Sean Raspet, 郑国谷, Dinh Q.Le, 张鸥, Davide Quadrio, 刘鼎, 靳山, 马芝安, Noritoshi Hirakawa…

部分艺术家的项目介绍：
【李牧的2020】
李牧作品
出售我2020年（10年后）创作的所有作品。
对于10年后的我，我不知道我会变得怎么样。但是，我会一直在进步，对于这一点，我深信不疑。那一年我会做出什么样的作品，是未知的。这个未知现在看起来是空的，可基于今天的我的一切（思想、状态、作品），又是有期待和吸引力的。
多少钱？那就以我今天一年作品的价值来定吧！30万!
合同：我必须保证10年后我的作品升值的空间不低于买方付出的2倍；我在一直从事艺术创作；我一年的作品不少于6件；双方必须各自承担非人为因素的意外。
请一个律师，所有程序将按照正规的法律程序

【玩的起!艺术】计划
鸟头作品
有感于中国当代艺术一路狂飙走高之后遭到全球经济危机影响而滑向严冬的现状.
2009年4月鸟头开始与香格那画廊旗下的一些艺术家合作.经由这些合作艺术家的授权使用他们的一张代表作品打印在尺寸为24英寸的廉价纸张上,同时鸟头为该计划设计了一系列的镜框纹样的模板,而后这些印有合作艺术家作品的纸张被尝试粘贴在墙面上并且周边用模板喷绘有镜框.然后鸟头开始面向社会接受预定,以低廉的价格提供上门张贴该作品的服务.以出售上门服务的形式最终完成作品.该计划旨在以低廉的运作成本,继续作品.
整个计划被命名为<Birdhead Affordable Game>缩写为B A G.中文名字称为<玩的起!艺术>计划。

鸟头将服务费用定为480元,上门根据购买者所指定的墙面张贴作品以及喷绘镜框纹样.由于该计划作品每次一旦实施就无法移动搬运,鸟头还将给予购买者由鸟头、合作艺术家以及购买者3方联名完成该行为作品的证书。

【456 3510100886 76 1026】
赵赵作品
这是一张中国银行的储蓄卡，户主是赵赵。每个人都可以通过汇款的方式,金额不限收藏此作品，汇款的藏家都将得到一张由中国银行出具的汇款凭证，这张汇款凭证就是作品。收到作品的当日起，一年内每个藏家都可以无条件申请退款，并返还作品。每笔汇款超过一年，艺术家本人将自行支出此账户金额，并同时在http://www.woyaoshoucang.cn网站里公布消费明细。



关于奥沙画廊

奥沙画廊为亚洲最大的国际性艺术机构，于香港、北京、上海及新加坡均有展览空间。奥沙致力推广亚洲出色的艺术家，并与多位备受推崇的国际策展人、艺评家、艺术史学家紧密合作、筹划及推广与全球性议题相关的展览。

更多详情请浏览www.osagegallery.com

传媒查询

李一鸣 (Reika Li)
电话：021 56713605
邮件：reikali@osagegallery.com

程谨 (Emily Cheng)
电话：021 56713605
邮件：emilycheng@osagegallery.com

Press Release
9th May 2009
For immediate release

Art Economies beyond Pattern Recognition
Curated by Biljana Ciric
Artists Participating: Bird Head, Gao Mingyan, Jin Feng, Lu Jiawei, Li Mu, Hu Yun, Lu Pingyuan, Tang Dixin, Zhao Zhao, Anton Vidokle and Julieta Aranda, Zhang Lehua，Yu Tianzhu
Exhibition venue: Osage Gallery, Shanghai
Address: 93 Duolun Road, Hongkou District, Shanghai 200081 (close to Duolun Museum of Modern Art)
Exhibition date: May 30th to July 20th 2009
Opening Party: 18:00, 30th May, 2009
Telephone: 86-021-56713605


Art Economies beyond Pattern Recognition

This exhibition intends to discuss new possibilities within and for the art economy. The art market system—defined by the relationships between galleries, collectors, and auction houses—has provided a relatively stable system for centuries, as well as providing artists with clear instructions for the production of artworks and their place within the market chain. This system was, for a long time, based on the materialism of the art object and the possibility of bodily involvement. In our current situation, however, everything is produced and reproduced through technological means, pushing the commoditization of art to new heights. This sense of ownership and the material presence of the work itself are quite different from the past, as preservation and authenticity assured the stability of art market channels.

This exhibition of artists and their works attempts to introduce new possibilities and proposals for the changing roles of artists in the art economy as their activities blend into those of collectors, conservators, and entrepreneurs. Through their individual strategies, and in their conceptualization of their work, artists must take into consideration how the works will circulate through the art market, or how a project that strategically includes other artists and works might extend beyond the existing scale of art market activity.

The exhibition will address the following issues:
·
Notions of collectability and new ways of collecting
·
Material preservation and conservation, and other possibilities for such
·
New channels within the art market that go beyond existing gallery services
·
New proposals for gallery and institutional systems

Book project introduction:

The publication should present the breadth of the curatorial framework that negotiates and explores new models for the economy of art. This book will involve not only artists but also people who perform different roles in field of the arts, from gallery owners, museum directors, curators, investors, artists, writers, theatre workers, critics, and any other practitioner that is engaged in the further creation of platforms to support different forms of art economies, specifically those projects that could be taken up as an experiment in the future.

The publication will not contain documentation of the exhibition but a separate and interrelated project itself on the same topic, focusing on people from different backgrounds that together could be taken as an additional project.

It is an attempt to build upon our knowledge and to compile useful data on the topic of art within the economy that extends beyond art itself. At the same time it is an expanded notion of curating that is not involved with the framing of artistic practices but moves closer to the idea of a laboratory where different ideas are gathered and tested.

The idea is to ask different individuals from the field to provide new formulas, ideas, and to suggest new models for an economy of art through written descriptions, drawings, instructions or any other form that could be included in the book.

The art market has been a hot topic over the years in China but one that is rarely actually questioned in the form that it presently exists. This collection of creative ideas could provide new resources for the approach to art making and it’s resultant economies.

Some of the individuals to be included thus far are: Uli Sigg, Lorenz Helbling, Shen Qibin, Hans Ulrich Obrist, Steven Rand,  Xu Zhen, Eugene Tan, Zhao Chuan, Susanne Winterling, Zhao Bandi, Yang Zhenzhong, Liu Jianhua,, Lin Yilin, Hu Fang, Sean Raspet, Zheng Guogu, Dinh Q.Le, Zhang O, Davide Quadrio, Liu Ding, Jin Shan, Meg Maggio, Noritoshi Hirakawa…

Artists projects in exhibition (selection)
Birdhead’s project: Birdhead Affordable Game project
In April 2009, Birdhead initiated a project with artists from Shanghart Gallery, sensing the current downfall of Chinese contemporary art after a peak in the global economic crisis. The artists’ representative works would be printed on cheap 24 inch printing paper with their permit with Birdhead designing a series of frame patterns. The product would conclude a paper with the works attached on a wall and frames sprayed around the piece with the moulds. The Birdhead would start to accept orders from public and supply inexpensive, at site services, including attaching and spraying. The program aims to extend the piece with low cost.
The whole project is titled as Birdhead Affordable Game, a.k.a. B A G in English.
The Bird Head would offers the service pack at 480 Yuan, and the piece, once pasted on the wall, can’t be removed, the 480 Yuan pack would include attaching printings on wall according to the buyer and spraying frame pattern and a certificate would be signed by all three parties, Birdhead, cooperating artist and the buyer.

Li Mu’s project: Selling his 2020 year
Artist Li Mu’s project involves him selling all the work that he will produce in 2020 (in 10 years time)
No one knows what his work will look like in 10 years. The artist will propose to a collector that he collects all the work that he, the artist, will produce in 2020, even though it’s hard to tell what his work will be like in 10 years. Price of his 2020 works is ---- 300000RMB. Through a legal agreement artist guarantees to the collector that he will produce no less then 6 works in 2020 (and all editions will belong to collector), the artist also guarantees that, after 10 years, the value of his work will be at least double the price of what the collector would pay today.


Zhao Zhao’s project: 456 3510100886 76 1026
This is a Bank of China’s debit card，the beneficiary card holder’s name is
Zhao Zhao.
Every person can collect this art work by transferring unlimited amount of money to this account, the collector will receive a certificate of remittance issued from the Bank of China, the certificate receipt is the art work itself.
One year from the date of receiving the art work, the collector may apply for a refund and the return of the work.
One year after each money transfer, the artist will withdraw the amount of expenditure by himself and announce all consumer records on http://www.woyaoshoucang.cn .

About Osage
Osage is Asia’s largest international gallery group with major exhibition spaces in Hong Kong, Beijing, Shanghai and Singapore. Osage represents some of the most outstanding artists in Asia and works closely with a variety of internationally respected curators, critics and art historians to present and promote exhibitions that address fundamental global issues.

Please visit www.osagegallery.com for more information.

Media Enquiries
Reika Li
Telephone: 56713605
Email: reikali@osagegallery.com

Emily Cheng
Telephone: 56713605
Email: emilycheng@osagegallery.com

[ 本帖最后由 李牧 于 2009-5-23 17:23 编辑 ]